Not just another night in the city, a tale untold revealed; perhaps helplessness is a disguise.

For those who missed it in theaters, this is a completely new riff of “Manos” The Hands of Fate, the Texas-fertilizer-salesman-directed classic made famous by Mystery Science Theater 3000. All new jokes, same old Torgo. See Mike, Kevin and Bill riff it all on stage in front of a live audience at the Belcourt Theatre in Nashville! PLUS! Before the main event, a live riffing of two extra-demented shorts. At Your Fingertips: Cylinders, from the same insane child arts & crafts series that brought you Grasses and Boxes. And Welcome Back, Norman which introduced us all to revolting folk hero Norman, along with his now famous (and also revolting) catchphrase.

This documentary follows four female First Nations artists—Doreen Jensen, Rena Point Bolton, Jane Ash Poitras and Joane Cardinal-Schubert are First Nations artists who seek to find a continuum from traditional to contemporary forms of expression. These exceptional artists reveal their philosophies as artists, their techniques and creative styles, and the exaltation they feel when they create. A moving testimony to the role that Indigenous women artists have played in maintaining the voice of their culture.

Jess is a solo mother and reluctant parking warden. Tom is a self-obsessed greetings cards salesman with an addiction to competitions who will do anything to win. Together they are just two of the competitors in a gruelling endurance contest to win a car - whoever keeps their hand on it the longest wins. As the sleepless days wear by, what price will they pay for winning this competition?

Two psychopathic lovers escape a mental institution and go on a murder spree at a remote retreat.

The work of sculptor Inge Hardison is the subject of this beautiful short portrait of an artist. Hardison is perhaps best known for "Negro Giants in History," her important series of busts made during the early 1960s. Hands of Inge was edited by Hortense "Tee" Beveridge, a pioneer in her field who worked in the commercial industry and on independent, non-commercial films such as Amiri Baraka's 1968 film "The New-Ark". In the mid-1950s Beveridge became the first Black woman to gain admission to Local 771, the motion picture editors union.

A woman is attempting to cope with her son's tragic death when her mother arrives on an ill-timed visit with her own remedies.

A young woman is watched by two enigmatic beings as she alternates between two worlds of reality and dream.

Hands of Murder was an American mystery/anthology series that aired on the DuMont Television Network.